Dr Rachel Matthews is an educator and researcher who sees fashion as cultural barometer, a way to observe changes in society.

Work & expertise

Originally from London, Rachel trained in fashion at Central Saint Martin’s and Winchester School of Art. She has worked as a designer for companies such as Whistles, John Lewis and Next, designed prints for Nicole Fahri and Donna Karan as well as creating fashion visuals for magazines such as Elle.

Rachel has also worked as a design and production consultant for fashion companies in Hong Kong, Tunisia and Mauritius, liaising between off-shore manufacturers and UK retailers.

Throughout her career, Rachel has shared her expertise through fashion education, holding academic positions at Chelsea College of Art and Middlesex University in the UK. Living and working in Australia for over a decade, she was head of Melbourne School of Fashion, before joining Australian College of the Arts.

As Head of School for Design at Collarts, she built a culture of collaboration across the design programmes, as well as establishing two new fashion programmes and Master of Design Course. After returning to the UK, Rachel led the Fashion Business & Management courses at Manchester Metropolitan University, before joining London College of Contemporary Arts. She continues to develop her expertise in sustainable fashion communications, whilst delivering industry training and building knowledge and expertise in next generation of fashion professionals.

Professional affiliations

CV Summary

2026 - present
  • Senior Lecturer / London College of Contemporary Arts

  • Curriculum consultant

  • Academic Board Member / Australian College of the Arts, Melbourne, Australia


2024 - 2026

Programme Leader - Manchester Metropolitan University

Research and teaching across Fashion Business Division - with specific focus on responsible and strategic fashion management for a sustainable fashion future

2021 - 2024

Head of School – Design, Australian College of the Arts

Academic leadership and operational responsibilities for nine design programs including fashion marketing, fashion & sustainability, interior design, photography, game design, animation, graphic & digital design. Development of Masters of Design.

2018 - 2021

Head of Fashion - Fashion Marketing / Fashion and Sustainability

Development and implementation of both Fashion programs including curriculum development, academic leadership and resources management

  • Fashion and Sustainability (Diploma / Bachelor - Fashion & Sustainability)

  • Fashion Marketing (Diploma / Bachelor - Fashion Marketing)

2011 - present

Founder / Creative Director - Fashion Lexicon

Collaborative fashion communication activations, projects and commissions exploring the relationship between fashion objects, images and text

Selected projects:

  • Fashion Lexicon – Fashion Alphabet Challenge (Instagram @fashionlexicon)

  • Fashion Lexicon X Envelope Group 

  • Development and production of fashion history resources

  • Fashion Lexicon X Little Tailleur 

  • Collection illustrations for promotional cards and t-shirts

  • Fashion Lexicon X Antoniette Fusillo

  • Fashion illustration for Couture Bridal Atelier

Selected workshops and knowledge sharing:

2026
Decentralising Teaching & Learning in Fashion: Co-creating paper trails - mapping and walk-learning fashion

2025
Wardrobe Challenge Workshop: Project 333 (Manchester Sustainability Day)

2025
Digital Multilogue on Fashion Education: World workshop for fashion education for democracy and social justice

2024
Digital Multilogue on Fashion Education: World workshop on the power of mutual learning

2023
Responsible Fashion Roundtable: Collarts X City of Melbourne

2023
Sustainable Storytelling B2B Workshops: Melbourne Fashion Week

2021-2022
Freshies First Nations Creatives Fashion Lab: Indigenous mentoring project

My professional identity has been re-shaped again and again…I have been changed by working to realign the creative and critical objectives of design education and continuing to work towards changes required for an equitable and optimistic future.

A group of people standing together in a design studio looking at a dressmakers mannequin and surrounded by sewing machines